We had the pleasure of working with the National Gallery of Canada and the Audain collection to conserve paintings by Je...
We received into the lab a painting by iconic Canadian historic painter, Emily Carr, initially titled “The Crooked Sta...
Raised and tented cracks in paint and ground layers, quilted, slackened canvases, and deformations are just a few of man...
Sarah Spafford-Ricci was fortunate to be chosen as an attendee at a “Cleaning Acrylic Paintings” (CAPS) workshop or...